WHS ARCHIVE // INCOMING TRANSMISSION
I compose things
that do not exist yet.
Wojciech Hendryk Stawiński — composer, writer and creator of music-driven worlds for stage and live experience.
SOMEONE HAS ARRIVED
Her name
is Mira.
REALIZED WORK // OPERAP: THE BLIND // SELARYON
A drama heard
before it is seen.
When opera meets rap, the border between aria and confession disappears. Music, bodies, light and language become one dramatic organism.
VERIFIED PROJECT FILE
- Form
- Opera · rap · theatre
- Role
- Libretto & co-composition
- Music
- Jean-Claude Hauptmann · Wojciech Stawiński
- Premiere
- Katowice · 05.06.2025
THE WORLD BECAME REAL
Music stops illustrating a world — and begins to create it.
SIGNAL // DHALAXIS
Beyond Selaryon:
Dhalaxis.
A name within Ślepcy. Its full meaning remains deliberately unresolved.
Trace DhalaxisWORK / OPERAP: THE BLIND
WORK IN DEVELOPMENT // HAMLET.EXE // KronOs
Humanity was restored
from backup. Almost.
HAMLET.EXE
To be—or to be a copy?Elsinore is no longer a castle. It is KronOs: a digital environment haunted by fragments of the dead, where memory can be copied, rewritten and erased.
Trace Mira's signal
Mira opens the passage into HAMLET.EXE. The rest of her story belongs to the stage.
- Form
- Music theatre · arena show
- Role
- Concept · script · music
- Language
- Rap · opera · electronics
- Status
- In development
ATELIER // THE WORK BEHIND THE WORLD
From first sentence
to living stage.
Find the emotional core.
Build its musical logic.
Test it against bodies and space.
Let it breathe before an audience.
I compose, write and shape the dramatic architecture of stage and live works.
I work with directors, producers and performers from the first premise through score, rehearsal and performance.
View selected workSELECTED TRANSMISSIONS // VERIFIED FILES
Other signals
from the archive.
Every work opens another world. Each carries the same signature: music that thinks dramatically.
OPEN CHANNEL // COLLABORATIONS
One world has not
been created yet.
It could be yours.
Bring me a story that needs its own gravity.
Developing a stage work, screen project or live spectacle? Tell me what you are building, where it stands and what still refuses to work.
THE NEXT WORLD DOES NOT EXIST YET // THAT IS WHERE THE WORK BEGINS